We thrive best in good company
Publications
PANEL DISCUSSION AT THE ASIAN ART IN LONDON (2014):
Symposium at Asia House, London on 30 October 2014 organized by VASTARI, entitled: The Axis Shifting East. My presentation focused on stereotypes about mutual inspirations of Japan and the Western world.
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It was called Feeding stereotypes and you may find it in the following YouTube video between the 51 and 59 minutes.
PUBLICATIONS
2019
Deep into the image. A review of the book “W cieniu Wielkiej Fali. Eseje o japoÅ„skim druku i drzeworycie" (In the shadow of the Great Wave. Essays on Japanese printing and woodcut), in: http://honbon.pl
2018
Sztuka interpretacji. Wyimki (The art of interpretation. Excerpts), in: Nowa Dekada Krakowska, Vol. 1 (35), Year: VII (2018)
2017
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Kaoyo Gozen and attendants – relationships between the costumes of the kabuki actors of the Kanadehon ChÅ«shingura play and their woodblock-print illustrations, in: East Asian Theatres. Traditions - Inspirations, European / Polish Contexts, ed. Maurycy Gawarski, Beata Kubiak Ho-Chi, Ewa Rynarzewska, series: World Art Studies, Vol. XVII, Polish Institute of World Art Studies & Tako Publishing House, Warsaw–ToruÅ„, pp. 95-103
Poprzestawiać litery (Rearrange the letters), in: Nowa Dekada Krakowska, Vol. 6 (34), Year: VI (2017)
Zbudować symbol (To build a symbol), in: Nowa Dekada Krakowska, Vol. 4/5 (32/33), Year: VI (2017)
Rok Awangardy w Polsce. Anons kulturalny (The Year of avant-garde in Poland. Cultural announcement), in: Nowa Dekada Krakowska, Vol. 3 (31), Year: VI (2017)
The Year of the Avant-garde in Poland.pdf
Marność i pogoń za wiatrem (Vanity and chasing the wind), in: Nowa Dekada Krakowska, Vol. 6 (29/30), Year: VI (2017)
Vanity and chasing the wind.pdf
2016
Bruegel. Unseen Masterpieces – virtual exhibition, czyli czy wirtualny znaczy prawdziwy? (Bruegel. Unseen Masterpieces – virtual exhibition, or Does Virtual Means a Real One?), in: Nowa Dekada Krakowska, Vol. 6 (28), Y: V (2016)
Bruegel. Unseen Masterpieces - virtual exhibition.pdf
2015
"Trzecie spojrzenie: KoÅ›cióÅ‚ p.w. Niepokalanego PoczÄ™cia NajÅ›wiÄ™tszej Marii Panny w Kobiernicach. Klasyczna ikonografia a malarstwo abstrakcyjne Adama Brinckena / Third Look: Church of the Immaculate Conception of the Blessed Virgin Mary in Kobiernice. Classic Iconography and Adam Brincken's Abstract Painting", in: Tajemnica i forma. Adam Brincken – malarstwo abstrakcyjne w przestrzeniach sakralnych / Mystery and Form. Adam Brincken – Abstract Painting in Sacral Spaces, publ. GRUPA TOMAMI, Akademia Sztuk PiÄ™knych im. Jana Matejki w Krakowie
"Droga Å›wiatÅ‚a. Sakralne witraże Adama Brinckena w Wejherowie, JarosÅ‚awiu i Kobiernicach / The Way of the Light. Adam Brincken's Stained-Glass Windows in Wejherowo, JarosÅ‚aw and Kobiernice", in: Brincken. Wystawa retrospektywna 1975–2015 / Brincken. A Retrospective Exhibition 1975–2015, publ. GRUPA TOMAMI
Brincken - The Way of Light.pdf
Curator's space on the Kimono Un-perfect exhibition website: kimonoreconstruction.joannabodzek.com
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Curator's texts to the Kimono Un-perfect exhibition published in the exhibition on-line catalog
Wielowątkowe piękno. Techniki dekoracyjne tkanin japońskich (A Beauty of Many Weaves. Japanese Textile Design Techniques), series: Biblioteka Muzeum Manggha (Manggha Museum Library), publ. Manggha Museum of Japanese Art and Technology
Manggha.pl/sklep-online-mangghashop-pl
2014
Parawan japoÅ„ski. Sosna, żuraw i góra Fuji / The Japanese Screen. Pines, Cranes and Mount Fuji
(co-author, coordinator), publ. Manggha Museum of Japanese Art and Technology
Manggha.pl/sklep-online-mangghashop-pl
"Z ukrycia" (From behind a folding screen), in: Nowa Dekada Krakowska, Vol. 3/4 (13/14), Year: III (2014)
From behind a folding screen.pdf
"Obrazy ChÅ«shingury, czyli jak opowiedzieć nie mówiÄ…c wprost" (Images of ChÅ«shingura, or telling the story indirectly), in: Materialne i niematerialne dziedzictwo kulturowe Japonii (Tangible and intangible cultural heritage of Japan), publ. University of Warsaw
2013
"Historical subjects represented in the Feliks Jasieński collection of Japanese woodblock-prints", in: Arts of Asia, ed. by J. Malinowski, Vol:2, publ. Polish Institute of World Art Studies
2012
The Treasury of Loyal retainers. The Drama of the 47 Ronin, publ. Manggha Museum of Japanese Art and Technology (woodblock-prints collection study, English language version)
Manggha.pl/sklep-online-mangghashop-pl
Library of the School of Oriental and African Studies, University of London
"Zszywanie materii dokumentalnej" (Stitching doumentary stuff), in: Nowa Dekada Krakowska. Dwumiesięcznik Kulturalny, Vol. 3/4, Year: I (2012)
Stitching documentary matter.pdf
"Kiedy zemsta jest kobietÄ…" (When revenge is a woman), in: Nowa Dekada Krakowska, Vol. 3/4, Year: I (2012)
2011
Japonia patrzy na Zachód / Japan Facing West (co-author, coordinator)
Manggha.pl/sklep-online-mangghashop-pl
2010
"Układy płaszczyzn" (Surface systems), in: Dekada Literacka, Vol. 3(241), Year: 2010
2009
Ichigo ichie. WchodzÄ…c na DrogÄ™ Herbaty (Ichigo ichie. Entering the Way of Tea), series: Biblioteka Muzeum Manggha (Manggha Museum Library), publ. Manggha Museum of Japanese Art and Technology
Manggha.pl/sklep-online-mangghashop-pl
Dramat zastygÅ‚y w drzeworycie. Historia o czterdziestu siedmiu roninach w serii drzeworytów Hiroshige (Drama frozen in woodblock-prints. The forty-seven ronin story in Hiroshige's woodblock-print series), publ. DiG Publishing
"WspóÅ‚czesna ceramika z Kioto w Zbiorach Muzeum Sztuki i Techniki JapoÅ„skiej Manggha [komunikat]" (Contemporary Kyoto ceramics in the Manggha Museum of Japanese Art and Technology collection [announcement], in: Sztuka Japonii. Studia, publ. Polish Society of Oriental Art
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"Śnieżne lato Adama Korpaka" (Snowy summer by Adam Korpak), Dekada Literacka, Vol. 4(236), Year: 2009